Your actions in the past need not define who you are now.
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Song, social
"The crying (dirge) of the warrior"
A slow Irish warrior song style - See "Handsome Cabin Boy" by Kate Bush
Synopsis:
(I come from a land of war and battle. It was my life. To protect my community I needed to be a warrior and there was value in it.
I fought many brave battles and I was honored for my willingness to lay my life down to protect my community.)
(Now I am displaced in a world that is constantly safe. There is no true protection I can give. This is unnatural.)
That we as humans come from a place of fighting to protect what's our's, and in a large enough society, where our protection is
far off in the distance, and we are here in a place that is "safe", what is a warrior to do?
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You need to illustrate this:
We need to illustrate the dangerous path of corporate-government control over populations.
Greed and power is soon to put a strangle-hold on true revolutionary change (through the reduction of civil liberties
and the invasion of personal privacy, combined with corruption in government) and this is dangerous.
This is a sliding path, like morality in society- it needs to be constantly fought- there will always be (pressure for a greater
and greater increase in these problems).
The further we travel down this path the more difficult it will
be to free humanity from this, until it is fundamentaly impossible.
It used to be the case that the populace could rise up, take arms, and overthrow the "status quo" because it was overly corrupted.
With modern technology used by society, and governments, this is soon to become impossible.
We are living in a very dangerous time- where the free will of humanity is at stake.
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A movie featuring a relationship that is continually in a loop. The protaganist is a male.
The male passionately loves a girl (he truly loves her, and this is consistently shown in the movie).
The male is disfunctional in life, and particularly relationship-wise; the girl is your average relatively healthy, but imperfect girl.
The girl has a "low profile" in the movie, but enough to communicate the plot and her basic (fundamental) love for him,
and whatever is necessary to create the necessary elements of the movie (comedy (if that's what the movie becomes), drama,etc).
Throughout the movie he has a male friend that he communicates with, giving insight into the male's thoughts.
The friend is a narrative tool for the movie, and acts as such. (does not give a verbal narrative).
The male has a family which frames his disfunction, and is shown as being a reason behind his disfunction.
The truth, and heart of the story revolves around the passionate love of the man for the women- this is very important.
He has fairly important things from his past that he hasn't dealt with (familiy stuff or otherwise), and the importance of this becomes
more and more obvious as the movie progresses (but is there throughout the movie). This thing or group of things is the goliath/dragon in the movie.
The girl ends up dumping the boy in Story 1 due to the disfunctionality of the boy in the relationship. The male feels he didn't do anything wrong.
He is distraught, and at one point "freaks out".
After "freaking out", the male is confused; He has been placed back in time to the beginning of his relationship with the girl.
In this, Story 2, the male acts in a similar way to how he acted in Story 1, as he feels that he did little wrong. His general position
this story is that he's doing little wrong, and many times actually blames The male is again dumped.
Reset again, and Story 3, the male is at the beginning of the relationship again. He reflects somewhat on the relationship.
He superficially changes how he acts in some situations.
Again, failure.
Story 4. Now he significantly looks at the relationship. He makes a significant attempt to change how he acts. This shows some promise.
He is unable to "hold it together" in the relationship due to the disfunctionality of his own life.
He sees that the relationship isn't going to work, well before she dumps him. He shouts "AGAIN!"
Story 5. He goes into therapy and self-help groups. He makes a concerted effort to change himself, and this shows great promise.
Things are much better. The girl is willing to "go all the way" with him (i.e., long-term). His change is blocked at a certain point.
He becomes aware that his change is "blocked" towards the end of this story. The girl wants to get married, and he feels "in a bind", because
he sees, with the help of therapy, self-help, and otherwise, that she deserves "better". After much consideration he says "Again!"
Story 6. Through therapy, groups, and self-realization, he finds that to heal fully he needs to
(confront/apologize/forgive/bring closure to) his past/(a thing or group of things from his past) (family, maybe others) and forgive.
He begins to go through this work.
After one of these confrontation/forgiveness/apologies/closures he leaves. His girl is waiting for him.
He takes her hand and they walk away.
Movie ends.
[What are the most important points of the beginning of the story are the novelty of having a second chance, and the realization of the truths
of the relationship rather than what the protagonist initially feels.
What are the most important points of the middle of the story are the path of self-growth, and a (sea) change for the protaganist as far
viewing himself goes, what's important in his life, selflessness in the relationship, and the beginning of a crystallization of things of his
past that control him now.
What are the most important points of the end of the story is continuing to be more selfless- more concerned about what's best for the girl,
and the solidification of the things in his past as his "dragon to fight".]
This still needs to be fleshed out to be made viable.
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